. >> generally speaking you need the environment in which they were flourish and which they can work together. you need the context. >> rose: if they are good -- >> it will happen with the actor speaking the text and somebody listening. you don't need the director for that you need somebody to organize it all. >> rose: how much do you want to act? >> you know, i always juggled both. and i read -- as i joined strad for as an actor i read a piece of fla ubert that said most people in life end up what they do second best. >> rose: by dereking you are doing what you do second best? >> no first best. >> rose: as a actor you were seco best? >> other people could my the parts i was playing. i suppose i could see. i like to stand back and see the whole -- >> rose: it's an interesting idea because you think about shaping other things. the idea is how do you make a decision as to what it is you do best, not second best? and how do you drill down on that so you are truly being creative and bringing something that no one else has? i'm sure people are smart at self evaluation and therefore you ne